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dc.contributor.authorNavas Ferrer, Teresa
dc.contributor.otherUniversitat Politècnica de Catalunya. Departament d'Infraestructura del Transport i del Territori
dc.date.accessioned2015-02-05T14:26:38Z
dc.date.available2015-02-05T14:26:38Z
dc.date.created2015
dc.date.issued2015
dc.identifier.citationNavas, M. The Gaudí floor tile: memory, trajectory and identity in Catalan industrial design. A: International Committee for Design History and Design Studies. "Tradition, transition, trajectories: major or minor influences?: ICDHS 2014: 9th Conference of the International Committee for Design History and Design Studies, 8, 9, 10, 11 July, Aveiro, Portugal". Aveiro: Blucher Publishers, 2015, p. 341-346.
dc.identifier.isbn2318-6968
dc.identifier.urihttp://hdl.handle.net/2117/26236
dc.description.abstractWhat are the reasons that led to Gaudí’s hexagonal tile becoming a reference point in industrial design with international dissemination? Its origins as an encaustic tile lie in the era of splendour of Catalan Modernisme, in the early 20th century. It was recognised as a solution for modernity in the 1960s, with the process of emerging design culture in Catalonia, which prompted its transformation into an emblematic paving tile for Barcelona’s public spaces. Finally, in the late 1990s, the tile was restored to its original format, acquiring the connotation of urban icon. Since it first appeared, Gaudí’s famous tile has not only demonstrated its versatile nature and easy adaptation to changes of use, it has also played a fundamental role in constructing the cultural, urban and touristic identity of the city of Barcelona. These two factors already form part of the object’s memory and are responsible for its singularity. The analysis proposed here places emphasis on the processes that, from the start of its production, distinguished the tile as a true object of industrial design, thanks to the innovative correlation it established between artistic creativity, technical research and business strategy, together with the evolution of demand and cultural changes.
dc.format.extent6 p.
dc.language.isoeng
dc.publisherBlucher Publishers
dc.subjectÀrees temàtiques de la UPC::Arquitectura::Arquitectes
dc.subjectÀrees temàtiques de la UPC::Arquitectura::Disseny
dc.subject.lcshGaudí, Antoni, 1852-1926
dc.subject.lcshIndustrial design--Spain--Catalonia
dc.subject.otherencaustic tile
dc.subject.otherexterior paving
dc.subject.othercatalan design
dc.subject.otherGaudí
dc.subject.otherEscofet
dc.titleThe Gaudí floor tile: memory, trajectory and identity in Catalan industrial design
dc.typeConference lecture
dc.subject.lemacGaudí, Antoni, 1852-1926 -- Disseny
dc.contributor.groupUniversitat Politècnica de Catalunya. EXIT - Enginyeria de les Xarxes i les Infraestructures de Transport (antic)
dc.identifier.doi10.5151/despro-icdhs2014-0046
dc.relation.publisherversionhttp://www.proceedings.blucher.com.br/article-details/the-gaud-floor-tile-memory-trajectory-and-identity-in-catalan-industrial-design-13861
dc.rights.accessOpen Access
local.identifier.drac15415355
dc.description.versionPostprint (published version)
local.citation.authorNavas, M.
local.citation.contributorInternational Committee for Design History and Design Studies
local.citation.pubplaceAveiro
local.citation.publicationNameTradition, transition, trajectories: major or minor influences?: ICDHS 2014: 9th Conference of the International Committee for Design History and Design Studies, 8, 9, 10, 11 July, Aveiro, Portugal
local.citation.startingPage341
local.citation.endingPage346


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