The exhibition design in the face of complexity: inter‐active story from design to user experience
Document typeConference report
PublisherGIRAS. Universitat Politècnica de Catalunya
Rights accessOpen Access
This paper presents a new approach in the way of thinking mediation with a pragmatic vision in the approach to the communication and semiotic functioning of the language of the exponents. it examines the functioning of the exhibition as a "spatio‐media" device in order to understand the way in which the production logic defines a reception modality and jointly translates a "formatting" of a relation to the presentation. In addition, we are interested in all the games of construction and semantic and exploratory coordination of the museum‐expo. More precisely, this work explores the main question how the exhibition operates, in order to unveil in a certain way the communication process and the regime of interactions (implied by this process) that is established between its actors, its objects, its entities, its spaces, its discourses, its relations, its situations, etc. in the instance of the visit? We defend the idea that the attention of visitors, if indeed it is stimulated, is certainly more oblique than distracting and that it is also pointed and acute.
Ponència presentada a la sessió 11
CitationBani, N.; Ben Abdelsalem, A. The exhibition design in the face of complexity: inter‐active story from design to user experience. A: Arquitectonics. "International Conference Arquitectonics Network: Mind, Land and Society, Barcelona, 29-31 May, 1 June 2018: Final papers". Barcelona: GIRAS. Universitat Politècnica de Catalunya, 2018.
All rights reserved. This work is protected by the corresponding intellectual and industrial property rights. Without prejudice to any existing legal exemptions, reproduction, distribution, public communication or transformation of this work are prohibited without permission of the copyright holder