Scores and images. On the insufficiency of representation
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Document typeArticle
Defense date2010
PublisherEditorial de la Universitat Politècnica de València (UPV)
Rights accessRestricted access - publisher's policy
Abstract
The general qualities of Peter Zumthor’s work, an extremely careful, sensitive, slow and respectful craft, make his nearly perfect architecture a very interesting object for analysis and research. All the more so in these times of vertiginous production and an almost blind exaltation of the new and the original, a time when the discipline of architecture, and consumer society in general, are moving more and more away from constructive traditions and from the wisdom of master builders. His work is a somewhat ‘resisting’ position, a fruitful and hopeful moving forward against the current, carried out on the basis of a very special reading of the place and its traditions, a very wise and precise selection of materials and a desire to approach technical and sensitive excellence in each and every aspect of the process and the built result.
CitationAltés, A. Scores and images. On the insufficiency of representation. "EGA: revista de expresión gráfica arquitectónica", 2010, núm. 16, p. 211-213.
ISSN1133-6137
Publisher versionhttp://cataleg.upc.edu/record=b1093585~S1*cat
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