dc.contributor.author | Millán Gómez, Antonio |
dc.contributor.author | González Pérez, Francisco Javier |
dc.contributor.other | Universitat Politècnica de Catalunya. Departament de Representació Arquitectònica |
dc.coverage.spatial | east=1.2579560279846191; north=41.1188462212748; name=Pla de la Seu, 1, 43003 Tarragona, Espanya |
dc.date.accessioned | 2018-12-10T17:44:17Z |
dc.date.issued | 2018-06-01 |
dc.identifier.citation | Millan, A., Gonzalez, F. The music of Sant Fructuós' measures. A: "Graphic imprints: the influence of representation and ideation tools in architecture". Berlín: Springer, 2018, p. 1311-1321. |
dc.identifier.isbn | 978-3-319-93749-6 |
dc.identifier.uri | http://hdl.handle.net/2117/125582 |
dc.description | This version of the article has been accepted for publication, after peer review (when applicable) and is subject to Springer Nature’s AM terms of use, but is not the Version of Record and does not reflect post-acceptance improvements, or any corrections. The Version of Record is available online at: http://dx.doi.org/10.1007/978-3-319-93749-6_109 |
dc.description.abstract | A reflection on the possible acquaintance of two texts, the treatises
De Institutio Arithmetica and De Musica compiled by Boethius, that might have been tools of ideation used by the architect in the process of project for Sant Fructuós de Tàrraco’s northern basilica is presented. A system of dimensions in accordance with arithmetic elaborations compiled by Boethius is proposed for the graphic survey of the basilica’s excavation. A new reading of the archaeological
floor rehearses a dimensional scheme for other architectures that sprung from texts such as the De Institutio Arithmetica and De Musica and its subsequent applications. The arithmetic and music compiled by Boethius was one of the rules used to shape Sant Fructuós at Tarraco’s northern basilica. As noted by González Pérez (2016), some dimensionsadsdas of the floor of the basilica and
the atrium of Sant Fructuós generate chords, though in different octaves |
dc.format.extent | 11 p. |
dc.language.iso | eng |
dc.publisher | Springer |
dc.rights | Attribution-NonCommercial-NoDerivs 3.0 Spain |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/es/ |
dc.subject | Àrees temàtiques de la UPC::Arquitectura::Composició arquitectònica::Teoria i estètica arquitectòniques |
dc.subject | Àrees temàtiques de la UPC::Arquitectura::Art::Música |
dc.subject.lcsh | Music and architecture |
dc.subject.lcsh | Architecture, Early Christian -- Spain -- Tarragona |
dc.subject.lcsh | Architecture, Early Christian -- Measurement |
dc.subject.other | Northern Basilica of Sant Fructuós |
dc.subject.other | Ravenna |
dc.subject.other | Roman foot |
dc.subject.other | Symmetria |
dc.subject.other | Treatises by Boethius |
dc.title | The music of Sant Fructuós' measures |
dc.type | Part of book or chapter of book |
dc.subject.lemac | Música i arquitectura |
dc.subject.lemac | Arquitectura paleocristiana -- Catalunya -- Tarragona |
dc.subject.lemac | Arquitectura paleocristiana -- Mesurament |
dc.subject.lemac | Basílica de Sant Fructuós (Tarragona, Catalunya) |
dc.contributor.group | Universitat Politècnica de Catalunya. ADR&M - Arquitectura, Disseny: Representació i Modelatge |
dc.identifier.doi | 10.1007/978-3-319-93749-6_109 |
dc.relation.publisherversion | https://www.springer.com/us/book/9783319937489 |
dc.rights.access | Open Access |
local.identifier.drac | 23548465 |
dc.description.version | Postprint (published version) |
dc.date.lift | 10000-01-01 |
local.citation.author | Millan, A.; Gonzalez, F. |
local.citation.pubplace | Berlín |
local.citation.publicationName | Graphic imprints: the influence of representation and ideation tools in architecture |
local.citation.startingPage | 1311 |
local.citation.endingPage | 1321 |