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dc.contributor.authorMillán Gómez, Antonio
dc.contributor.authorGonzález Pérez, Francisco Javier
dc.contributor.otherUniversitat Politècnica de Catalunya. Departament de Representació Arquitectònica
dc.coverage.spatialeast=1.2579560279846191; north=41.1188462212748; name=Pla de la Seu, 1, 43003 Tarragona, Espanya
dc.date.accessioned2018-12-10T17:44:17Z
dc.date.issued2018-06-01
dc.identifier.citationMillan, A., Gonzalez, F. The music of Sant Fructuós' measures. A: "Graphic imprints: the influence of representation and ideation tools in architecture". Berlín: Springer, 2018, p. 1311-1321.
dc.identifier.isbn978-3-319-93749-6
dc.identifier.urihttp://hdl.handle.net/2117/125582
dc.descriptionThis version of the article has been accepted for publication, after peer review (when applicable) and is subject to Springer Nature’s AM terms of use, but is not the Version of Record and does not reflect post-acceptance improvements, or any corrections. The Version of Record is available online at: http://dx.doi.org/10.1007/978-3-319-93749-6_109
dc.description.abstractA reflection on the possible acquaintance of two texts, the treatises De Institutio Arithmetica and De Musica compiled by Boethius, that might have been tools of ideation used by the architect in the process of project for Sant Fructuós de Tàrraco’s northern basilica is presented. A system of dimensions in accordance with arithmetic elaborations compiled by Boethius is proposed for the graphic survey of the basilica’s excavation. A new reading of the archaeological floor rehearses a dimensional scheme for other architectures that sprung from texts such as the De Institutio Arithmetica and De Musica and its subsequent applications. The arithmetic and music compiled by Boethius was one of the rules used to shape Sant Fructuós at Tarraco’s northern basilica. As noted by González Pérez (2016), some dimensionsadsdas of the floor of the basilica and the atrium of Sant Fructuós generate chords, though in different octaves
dc.format.extent11 p.
dc.language.isoeng
dc.publisherSpringer
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Spain
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/es/
dc.subjectÀrees temàtiques de la UPC::Arquitectura::Composició arquitectònica::Teoria i estètica arquitectòniques
dc.subjectÀrees temàtiques de la UPC::Arquitectura::Art::Música
dc.subject.lcshMusic and architecture
dc.subject.lcshArchitecture, Early Christian -- Spain -- Tarragona
dc.subject.lcshArchitecture, Early Christian -- Measurement
dc.subject.otherNorthern Basilica of Sant Fructuós
dc.subject.otherRavenna
dc.subject.otherRoman foot
dc.subject.otherSymmetria
dc.subject.otherTreatises by Boethius
dc.titleThe music of Sant Fructuós' measures
dc.typePart of book or chapter of book
dc.subject.lemacMúsica i arquitectura
dc.subject.lemacArquitectura paleocristiana -- Catalunya -- Tarragona
dc.subject.lemacArquitectura paleocristiana -- Mesurament
dc.subject.lemacBasílica de Sant Fructuós (Tarragona, Catalunya)
dc.contributor.groupUniversitat Politècnica de Catalunya. ADR&M - Arquitectura, Disseny: Representació i Modelatge
dc.identifier.doi10.1007/978-3-319-93749-6_109
dc.relation.publisherversionhttps://www.springer.com/us/book/9783319937489
dc.rights.accessOpen Access
local.identifier.drac23548465
dc.description.versionPostprint (published version)
dc.date.lift10000-01-01
local.citation.authorMillan, A.; Gonzalez, F.
local.citation.pubplaceBerlín
local.citation.publicationNameGraphic imprints: the influence of representation and ideation tools in architecture
local.citation.startingPage1311
local.citation.endingPage1321


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