The music of Sant Fructuós' measures
Visualitza/Obre
10.1007/978-3-319-93749-6_109
Inclou dades d'ús des de 2022
Cita com:
hdl:2117/125582
Tipus de documentCapítol de llibre
Data publicació2018-06-01
EditorSpringer
Condicions d'accésAccés obert
Llevat que s'hi indiqui el contrari, els
continguts d'aquesta obra estan subjectes a la llicència de Creative Commons
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Reconeixement-NoComercial-SenseObraDerivada 3.0 Espanya
Abstract
A reflection on the possible acquaintance of two texts, the treatises
De Institutio Arithmetica and De Musica compiled by Boethius, that might have been tools of ideation used by the architect in the process of project for Sant Fructuós de Tàrraco’s northern basilica is presented. A system of dimensions in accordance with arithmetic elaborations compiled by Boethius is proposed for the graphic survey of the basilica’s excavation. A new reading of the archaeological
floor rehearses a dimensional scheme for other architectures that sprung from texts such as the De Institutio Arithmetica and De Musica and its subsequent applications. The arithmetic and music compiled by Boethius was one of the rules used to shape Sant Fructuós at Tarraco’s northern basilica. As noted by González Pérez (2016), some dimensionsadsdas of the floor of the basilica and
the atrium of Sant Fructuós generate chords, though in different octaves
Descripció
This version of the article has been accepted for publication, after peer review (when applicable) and is subject to Springer Nature’s AM terms of use, but is not the Version of Record and does not reflect post-acceptance improvements, or any corrections. The Version of Record is available online at: http://dx.doi.org/10.1007/978-3-319-93749-6_109
Localització
CitacióMillan, A., Gonzalez, F. The music of Sant Fructuós' measures. A: "Graphic imprints: the influence of representation and ideation tools in architecture". Berlín: Springer, 2018, p. 1311-1321.
ISBN978-3-319-93749-6
Versió de l'editorhttps://www.springer.com/us/book/9783319937489
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