Miradas y pensamientos que se entremezclan con lo gráfico. Sobre la obra de Enric Miralles
View/Open
ID 336_APPER REVISADO.doc (10,60Mb) (Restricted access)
Request copy
Què és aquest botó?
Aquest botó permet demanar una còpia d'un document restringit a l'autor. Es mostra quan:
- Disposem del correu electrònic de l'autor
- El document té una mida inferior a 20 Mb
- Es tracta d'un document d'accés restringit per decisió de l'autor o d'un document d'accés restringit per política de l'editorial
Document typeConference report
Defense date2018
Rights accessRestricted access - publisher's policy
Abstract
A good example of the enrichment of projects through various personal contributions based on thought, is the work of Enric Miralles. The present article analyses two projects of the first competitions in Germany (1991), with the intention of exposing their imaginative processes; exploring very diverse sources with which, through his unique way of ‘drawing’ and ‘anotating’, he builds a mental process to turn it into an architectural project that generates innovative perceptions. The research is placed squarely in the contemporary debate of the valuation of poetic architecture, understood as the one which conceals a world of ideas under the forms, or an architecture that also commits itself to social challenges; framed in a way of working that in the words of Miralles wanted ‘to understand and to make understood’.
CitationZaragoza, M.I., Esquinas, J. Miradas y pensamientos que se entremezclan con lo gráfico. Sobre la obra de Enric Miralles. A: Congreso Internacional de Expresión Gráfica Arquitectónica. "De trazos, huellas e improntas". 2018, p. 207-215.
ISBN9788416724932
Files | Description | Size | Format | View |
---|---|---|---|---|
ID 336_APPER REVISADO.doc![]() | 10,60Mb | Microsoft Word | Restricted access |
Except where otherwise noted, content on this work
is licensed under a Creative Commons license
:
Attribution-NonCommercial-NoDerivs 3.0 Spain