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dc.contributor.authorEscoda Pastor, Carmen
dc.contributor.authorZaragoza de Pedro, Isabel
dc.contributor.authorEsquinas Dessy, Jesús
dc.contributor.otherUniversitat Politècnica de Catalunya. Departament de Representació Arquitectònica
dc.date.accessioned2017-11-23T09:18:54Z
dc.date.issued2017-01-01
dc.identifier.citationEscoda, C.M., Zaragoza, M.I., Esquinas, J. De las miradas distraídas en Enric Miralles = Concerning distracted gazes in Enric Miralles. "Arquiteturarevista", 1 Gener 2017, vol. 13, p. 1-9.
dc.identifier.issn1808-5741
dc.identifier.urihttp://hdl.handle.net/2117/111112
dc.description.abstractIn a geography that is so culturally distant as Japan, Miralles uses the “sign” as a fundamental language in his creative process to think, experiment and model metaphorical architectural forms. Another concept used by Miralles is that one of “allegory”, in which physical figures supplant ideas. In this article we will see how the drawings of the documents of Unazuki Pavilion project could evoke the human figure, the old bridge structure, the geometry of the City or the geometry of the Nature. He also uses the carp banks of the place as a symbol of his project, a symbol that he would have already apprehended of García Lorca’s fish drawings. In this sense, the Pavilion project becomes an essential reference of Miralles’ way of doing and concern, not only for the physical environment, but also for the social, historical and cultural context. When it comes to the representation, in this project in Japan, he uses the threads of metal to elaborate the three-dimensional models for the first time. This latest material and his innovative way of working would allow him to create “drawings in space”.
dc.format.extent9 p.
dc.language.isospa
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Spain
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/es/
dc.subjectÀrees temàtiques de la UPC::Arquitectura::Arquitectes
dc.subjectÀrees temàtiques de la UPC::Arquitectura::Sistemes de representació arquitectònica
dc.subject.lcshMiralles, Enric 1955-2000 --Criticism, interpretation, etc.
dc.subject.lcshSymbolism in architecture
dc.subject.otherAllegory
dc.subject.otherCreative process
dc.subject.otherIconography
dc.subject.otherMiralles
dc.titleDe las miradas distraídas en Enric Miralles = Concerning distracted gazes in Enric Miralles
dc.typeArticle
dc.subject.lemacMiralles, Enric, 1955-2000 - Crítica, interpretació, etc
dc.subject.lemacSimbolisme en l'arquitectura
dc.contributor.groupUniversitat Politècnica de Catalunya. ADR&M - Arquitectura, Disseny: Representació i Modelatge
dc.contributor.groupUniversitat Politècnica de Catalunya. GREiP - Grup de Recerca d'Edificació i Patrimoni
dc.identifier.doi10.4013/arq.2017.131.05
dc.relation.publisherversionhttp://revistas.unisinos.br/index.php/arquitetura/article/view/13957
dc.rights.accessRestricted access - publisher's policy
local.identifier.drac21589349
dc.description.versionPostprint (author's final draft)
dc.date.lift10000-01-01
local.citation.authorEscoda, C.M.; Zaragoza, M.I.; Esquinas, J.
local.citation.publicationNameArquiteturarevista
local.citation.volume13
local.citation.startingPage1
local.citation.endingPage9


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Except where otherwise noted, content on this work is licensed under a Creative Commons license : Attribution-NonCommercial-NoDerivs 3.0 Spain