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dc.contributor.authorFelip, Olga
dc.identifier.citationFelip, Olga. Vivre sa vie. A: "Palimpsesto", Febrer 2014, núm. 09, p. 12-13
dc.description.abstractDuring the summer of my first year of college I did an internship at an architecture firm in Paris, where I happened to discover Vivre sa vie, a 1962 film in which the director, Jean-Luc Godard, develops essentially two themes: the relationship established with the viewer, and the editing technique. In a similar way, at our office we have approached architecture in the fashion of craftsmen, focusing in two subjects: the technique or design process, and the users. Within this design process there are three themes that we especially value: collecting (as the act of taking out of context an object and assigning a new value to it), reversibility (the recognition of interior and exterior spaces, noncontinuous but reversible) and permeable materiality (through the choice of a specific material and the exploration of it possibilities).
dc.format.extent2 p.
dc.publisherCátedra Blanca de Barcelona
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Spain
dc.subjectÀrees temàtiques de la UPC::Arquitectura::Arquitectes
dc.subject.lcshArchitects -- Spain
dc.titleVivre sa vie
dc.subject.lemacArquitectes -- Catalunya
dc.identifier.dlB. 7929-2013
dc.description.peerreviewedPeer Reviewed
dc.rights.accessOpen Access

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