Throughout history, the concept of ruins has been the subject of continuous perversion. From the ancient Greek era to the current era of globalization and destruction, scholars, philosophers, artists, architects, and filmmakers have described many cultural concepts about ruins. The ruins are promptly interpreted from symbolic value to incomplete proof. From "picturesque" or "sublime" forms to the passing of time and the ephemeral contemplation of human conditions; from political reflection on authoritarianism to evidence of mass destruction; from memory objects to active venues for change. If the concept of "ruins" is released from a purely literary and picturesque profession, we can realize that, as Walter Benjamin (1963) proclaimed, the past is ruins above ruins, and "Ruins" are eternal and inevitable conditions. In every era, time, war, and natural disasters have occurred and continue to produce ruins, which prompts people to think about how to deal with them. The ruins caused by elements considered to belong to distant objects in the past have increasingly become contemporary intrusive elements, which are now of great significance.