The study and analysis of the materials found in one of the earliest Islamic glazed ceramics workshop in al-Andalus (Pechina) dating from the second half of the 9th century, including fritting vessels, kiln furniture, ...

Ancient Termez, located on the southern border of Transoxiana/Mawarannahr, was an important pottery production centre during the Islamic period. Recent archaeological and archaeometric research carried out by the Spanish-Uzbek ...

A set of the Classic and official Jun ware shards found at various kilns at Yuzhou (Henan) are analyzed. The blue color and milky appearance of the glazes subject of intense debate as being due to either the glaze nanostructure ...

Micro-Infrared Spectroscopy (mSR-FTIR) and X-ray diffraction (mSR-XRD) with synchrotron light, Gas Chromatography/Mass Spectrometry (CG/MS), Optical Microscopy (OM) and Scanning Electron Microscopy (SEM/EDS) were used ...

The first workshop evidence of the Caliphate polychrome tin-glaze production known as ‘verde y manganeso’ in al-Andalus has been found in the Cordoban workshops area. This study reports on the analysis of recovered firing ...

The resin extracted from the species of the Pinus genus (Pinaceae family) is a widely used material. Primarily, resins are made up of two types of diterpenoids: abietanes and pimaranes. Their composition changes with aging, ...

Lustering, a technique which involved the application of coloured translucent glazes over gilding and silvering was widely used to enrich and decorate altarpieces in the Baroque period. The decorations consist of a micrometric ...

The blue pigments used on altarpieces in 15th Century in Catalonia and Crown of Aragon are principally the azurite mineral. To a lesser extent lapis lazuli, also of mineral origin and occasionally, in the background areas, ...