Vivre sa vie
Visualitza/Obre
10.5821/palimpsesto.09.2815
Inclou dades d'ús des de 2022
Cita com:
hdl:2099/14403
Tipus de documentArticle
Data publicació2014-02-01
EditorCátedra Blanca de Barcelona
Condicions d'accésAccés obert
Llevat que s'hi indiqui el contrari, els
continguts d'aquesta obra estan subjectes a la llicència de Creative Commons
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Reconeixement-NoComercial-SenseObraDerivada 3.0 Espanya
Abstract
During the summer of my first year of college I did an internship at an architecture firm in Paris, where I happened to discover Vivre sa vie, a 1962 film in which the director, Jean-Luc Godard, develops essentially two themes: the relationship established with the viewer, and the editing technique.
In a similar way, at our office we have approached architecture in the fashion of craftsmen, focusing in two subjects: the technique or design process, and the users. Within this design process there are three themes that we especially value: collecting (as the act of taking out of context an object and assigning a new value to it), reversibility (the recognition of interior and exterior spaces, noncontinuous but reversible) and permeable materiality (through the choice of a specific material and the exploration of it possibilities).
CitacióFelip, Olga. Vivre sa vie. A: "Palimpsesto", Febrer 2014, núm. 09, p. 12-13
Dipòsit legalB. 7929-2013
ISSN2014-9751
Col·leccions
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2815-313-1-SM.pdf | 1,201Mb | Visualitza/Obre |