Ponències/Comunicacions de congressos
http://hdl.handle.net/2117/21571
2024-03-29T15:50:48ZInfluência do eco vector energia na cidade, e no seu ambiente sonoro
http://hdl.handle.net/2117/114707
Influência do eco vector energia na cidade, e no seu ambiente sonoro
Daumal Domènech, Francesc de Paula; Botton Halfon, Jocelyne; Marmolejo Duarte, Carlos Ramiro
2018-03-01T17:13:45ZDaumal Domènech, Francesc de PaulaBotton Halfon, JocelyneMarmolejo Duarte, Carlos RamiroInfluencia do eco-vector energia na cidade e no seu ambiente sonoro
http://hdl.handle.net/2117/108809
Influencia do eco-vector energia na cidade e no seu ambiente sonoro
Daumal Domènech, Francesc de Paula; Botton Halfon, Jocelyne; Marmolejo Duarte, Carlos Ramiro
The eco-vector “Energy”, from the point of view of 20 – 20 – 20, relates us the areas around us and allows you to locate the spaces of silence or pleasant sounds in a city. Their determination is not easy because they are scattered in the anonymous noise of eco – diverse mobility vectors, which punts the soundscape o four cities in this century. Speaking of well – being in urban environments and buildings,
would be the results of the influence of this eco – vector in the soundscape, which configure urban spaces that allow for recovery against stress and improve the health of its users. The research focuses on the initial results of evaluations conducted for BIA2015 – 63606 – R Project, How much we care about energy qualification…? Selected in the call for Excellence and Challenges Project, funded by the Ministry of Economy and Competitiveness of the Government of Spain.
2017-10-18T15:01:52ZDaumal Domènech, Francesc de PaulaBotton Halfon, JocelyneMarmolejo Duarte, Carlos RamiroThe eco-vector “Energy”, from the point of view of 20 – 20 – 20, relates us the areas around us and allows you to locate the spaces of silence or pleasant sounds in a city. Their determination is not easy because they are scattered in the anonymous noise of eco – diverse mobility vectors, which punts the soundscape o four cities in this century. Speaking of well – being in urban environments and buildings,
would be the results of the influence of this eco – vector in the soundscape, which configure urban spaces that allow for recovery against stress and improve the health of its users. The research focuses on the initial results of evaluations conducted for BIA2015 – 63606 – R Project, How much we care about energy qualification…? Selected in the call for Excellence and Challenges Project, funded by the Ministry of Economy and Competitiveness of the Government of Spain.Índices sintéticos como medida de calidad en recintos patrimoniales
http://hdl.handle.net/2117/108751
Índices sintéticos como medida de calidad en recintos patrimoniales
Giménez Pérez, Alicia; Segura García, Jaume; Planells Pérez, Ana; Cibrián Ortiz de Anda, Rosa María; Daumal Domènech, Francesc de Paula
The evaluation of acoustic quality is a fundamental factor when determining the need to intervene in a space and the suitability of the same for the intended use. Subjective evaluation in worship spaces is scarce because it is difficult to perform. However, some authors have established models that allow to obtain global indexes of evaluation adapted to churches which synthesize the acoustic behavior for the different sound sources.
In this work, the partial indexes for each parameter in the different audience areas and the synthetic indexes of quality for speech and music have been calculated from the measurements made in different patrimonial environments.
La evaluación de la calidad acústica resulta un factor fundamental a la hora de determinar la necesidad de intervenir en un espacio y la idoneidad del mismo para el uso al que está destinado. Las pruebas subjetivas en recintos de culto son escasas debido a la dificultad de llevarlas a cabo, no obstante, algunos autores han establecido modelos que permiten obtener índices globales de evaluación adaptados a iglesias que sintetizan el comportamiento acústico para los diferentes estímulos sonoros.
En este trabajo, a partir de las medidas realizadas en diferentes entornos patrimoniales, se han calculado los índices parciales para cada parámetro en las diferentes zonas de audiencia y los índices sintéticos de calidad para el habla y la música.
2017-10-17T12:12:51ZGiménez Pérez, AliciaSegura García, JaumePlanells Pérez, AnaCibrián Ortiz de Anda, Rosa MaríaDaumal Domènech, Francesc de PaulaThe evaluation of acoustic quality is a fundamental factor when determining the need to intervene in a space and the suitability of the same for the intended use. Subjective evaluation in worship spaces is scarce because it is difficult to perform. However, some authors have established models that allow to obtain global indexes of evaluation adapted to churches which synthesize the acoustic behavior for the different sound sources.
In this work, the partial indexes for each parameter in the different audience areas and the synthetic indexes of quality for speech and music have been calculated from the measurements made in different patrimonial environments.
La evaluación de la calidad acústica resulta un factor fundamental a la hora de determinar la necesidad de intervenir en un espacio y la idoneidad del mismo para el uso al que está destinado. Las pruebas subjetivas en recintos de culto son escasas debido a la dificultad de llevarlas a cabo, no obstante, algunos autores han establecido modelos que permiten obtener índices globales de evaluación adaptados a iglesias que sintetizan el comportamiento acústico para los diferentes estímulos sonoros.
En este trabajo, a partir de las medidas realizadas en diferentes entornos patrimoniales, se han calculado los índices parciales para cada parámetro en las diferentes zonas de audiencia y los índices sintéticos de calidad para el habla y la música.Trazas de belleza en los paisajes sonoros de Barcelona y Ciudad de México. Aportación a las nuevas identidades y voces de la ciudad mediante las experiencias académicas en Arquitectura BCN de la UPC, Master de Arte Sonoro de la UB, Arquitectura de la UAM - Azcapotzalco (México) y Arquitectura, Arte y Comuniación del Campus de Santa fe de Monterrey
http://hdl.handle.net/2117/108750
Trazas de belleza en los paisajes sonoros de Barcelona y Ciudad de México. Aportación a las nuevas identidades y voces de la ciudad mediante las experiencias académicas en Arquitectura BCN de la UPC, Master de Arte Sonoro de la UB, Arquitectura de la UAM - Azcapotzalco (México) y Arquitectura, Arte y Comuniación del Campus de Santa fe de Monterrey
Daumal Domènech, Francesc de Paula; Rodríguez Manzo, Fausto; Cerdá Ferré, Josep; Garay Vargas, Elisa; García Martínez, Silvia G.; Lancón Rivera, Laura A.; Ponce Patrón, Dulce R.
This research is developed by professors and students of Architecture and Art, and shows that in the cities there are soundscapes that must be considered not only quiet places, but also beautiful according to the aesthetic traces that their hearing provokes in the audience. For this purpose, various spaces have been studied in Mexico City at the Noise and Soundscape in the City Seminar, and at the Space and Sound in the City Workshop, and in Barcelona for the courses of Acoustic Architecture and Soundscapes, taught at the ETSAB (UPC), as well as those of the Master in Sound Art of the UB.
Esta investigación se desarrolla por profesores y alumnos de Arquitectura y Arte, y muestra que en las ciudades existen paisajes sonoros que deben considerarse no solamente lugares tranquilos, sino incluso Bellos a tenor de las trazas estéticas que su audición provoca en los asistentes. Para ello se han estudiado diversos espacios en la ciudad de México para el Seminario de Ruido y Paisaje sonoro en la Ciudad, y Taller de Espacio y Sonido en la Ciudad, y en Barcelona para las asignaturas de Arquitectura Acústica, y Paisajes Sonoros, impartidas en la la ETSAB (UPC), así como las del Master en Arte Sonoro de la UB.
2017-10-17T12:02:31ZDaumal Domènech, Francesc de PaulaRodríguez Manzo, FaustoCerdá Ferré, JosepGaray Vargas, ElisaGarcía Martínez, Silvia G.Lancón Rivera, Laura A.Ponce Patrón, Dulce R.This research is developed by professors and students of Architecture and Art, and shows that in the cities there are soundscapes that must be considered not only quiet places, but also beautiful according to the aesthetic traces that their hearing provokes in the audience. For this purpose, various spaces have been studied in Mexico City at the Noise and Soundscape in the City Seminar, and at the Space and Sound in the City Workshop, and in Barcelona for the courses of Acoustic Architecture and Soundscapes, taught at the ETSAB (UPC), as well as those of the Master in Sound Art of the UB.
Esta investigación se desarrolla por profesores y alumnos de Arquitectura y Arte, y muestra que en las ciudades existen paisajes sonoros que deben considerarse no solamente lugares tranquilos, sino incluso Bellos a tenor de las trazas estéticas que su audición provoca en los asistentes. Para ello se han estudiado diversos espacios en la ciudad de México para el Seminario de Ruido y Paisaje sonoro en la Ciudad, y Taller de Espacio y Sonido en la Ciudad, y en Barcelona para las asignaturas de Arquitectura Acústica, y Paisajes Sonoros, impartidas en la la ETSAB (UPC), así como las del Master en Arte Sonoro de la UB.Relaciones entre percepción psicoacústica e información musical en paisajes sonoros
http://hdl.handle.net/2117/108746
Relaciones entre percepción psicoacústica e información musical en paisajes sonoros
Segura García, Jaume; Daumal Domènech, Francesc de Paula; Felici Castell, Santiago; Cobos Serrano, Máximo; Pérez Solano, Juan José; García Pineda, Miguel; Torres Aranda, Ana María; Giménez Pérez, Alicia; Cebrián Ortiz de Anda, Rosa María; Arana Burgui, Miguel
The study of soundscape needs subjective and objective analysis. As defined in ISO12913-1:2014, soundscape is the acoustical environment as perceived, and/or understood by any person or group in a context. Between the different aspects concerning the description of the soundscape are included: the context, the sound sources, the acoustic environment, the interpretation of the auditory sensation, answers and results.
In this work, different acoustical environments are studied, by collecting information obtained from recordings and processing the psychoacoustical parameters and other parameter obtained from music information retrieval (MIR) techniques. This information is correlated to obtain new models oriented to explain the perception of auditory sentation in every soundscape.
El estudio del paisaje sonoro o
2017-10-17T11:39:40ZSegura García, JaumeDaumal Domènech, Francesc de PaulaFelici Castell, SantiagoCobos Serrano, MáximoPérez Solano, Juan JoséGarcía Pineda, MiguelTorres Aranda, Ana MaríaGiménez Pérez, AliciaCebrián Ortiz de Anda, Rosa MaríaArana Burgui, MiguelThe study of soundscape needs subjective and objective analysis. As defined in ISO12913-1:2014, soundscape is the acoustical environment as perceived, and/or understood by any person or group in a context. Between the different aspects concerning the description of the soundscape are included: the context, the sound sources, the acoustic environment, the interpretation of the auditory sensation, answers and results.
In this work, different acoustical environments are studied, by collecting information obtained from recordings and processing the psychoacoustical parameters and other parameter obtained from music information retrieval (MIR) techniques. This information is correlated to obtain new models oriented to explain the perception of auditory sentation in every soundscape.
El estudio del paisaje sonoro o30 paisajes sonoros simultáneos de Barcelona en el 26 de abril 2017 (Día Internacional de Concienciación sobre el Ruido), y su geolocalización en el Mapa Barcelona + Sostenible
http://hdl.handle.net/2117/108697
30 paisajes sonoros simultáneos de Barcelona en el 26 de abril 2017 (Día Internacional de Concienciación sobre el Ruido), y su geolocalización en el Mapa Barcelona + Sostenible
Daumal Domènech, Francesc de Paula; Segura García, Jaume; Díaz Blanco, Celia; Caballero Marcos, Isabel Amaya; Casas Portet, Anna; Giménez Pérez, Alicia; Cibrián Ortiz de Anda, Rosa María
For the first time, ten teams of sound curators, coordinated by members of the research group URBAURAMON dedicated to Intelligent tools for managing and control of the urban soundscape (BIA 2016 – 76957 – C3 – R) as well as the Ajuntament de Barcelona and La Fábrica del Sol, recorded and measured the soundscape of the 10 local councils of the city of Barcelona, during the evening of April 26th 2017, the International Noise Awareness Day, under the motto Barcelona Sone, so as to locate in the map Barcelona + Sostenible.
Por primera vez diez equipos curadores de sonidos, coordinados por miembros del grupo de investigación URBAURAMON dedicado a las Herramientas inteligentes para la gestión y control del paisaje sonoro urbano (BIA 2016 – 76957 – C3 – R) así como de L’Ajuntament de Barcelona y de La Fábrica del Sol, han salido a grabar y medir los paisajes sonoros de las 10 Sedes de Distrito de la ciudad de Barcelona, durante la tarde del 26 de abril de 2017, Día Internacional de Concienciación sobre el Ruido, bajo el lema Barcelona Sona, para posteriormente geolocalizarlos en el mapa de Barcelona + Sostenible.
2017-10-13T16:17:10ZDaumal Domènech, Francesc de PaulaSegura García, JaumeDíaz Blanco, CeliaCaballero Marcos, Isabel AmayaCasas Portet, AnnaGiménez Pérez, AliciaCibrián Ortiz de Anda, Rosa MaríaFor the first time, ten teams of sound curators, coordinated by members of the research group URBAURAMON dedicated to Intelligent tools for managing and control of the urban soundscape (BIA 2016 – 76957 – C3 – R) as well as the Ajuntament de Barcelona and La Fábrica del Sol, recorded and measured the soundscape of the 10 local councils of the city of Barcelona, during the evening of April 26th 2017, the International Noise Awareness Day, under the motto Barcelona Sone, so as to locate in the map Barcelona + Sostenible.
Por primera vez diez equipos curadores de sonidos, coordinados por miembros del grupo de investigación URBAURAMON dedicado a las Herramientas inteligentes para la gestión y control del paisaje sonoro urbano (BIA 2016 – 76957 – C3 – R) así como de L’Ajuntament de Barcelona y de La Fábrica del Sol, han salido a grabar y medir los paisajes sonoros de las 10 Sedes de Distrito de la ciudad de Barcelona, durante la tarde del 26 de abril de 2017, Día Internacional de Concienciación sobre el Ruido, bajo el lema Barcelona Sona, para posteriormente geolocalizarlos en el mapa de Barcelona + Sostenible.Restaurantes con silencios a la carta: aportación a la investigación acústico - arquitectónica relativa a una óptima inteligibilidad
http://hdl.handle.net/2117/108664
Restaurantes con silencios a la carta: aportación a la investigación acústico - arquitectónica relativa a una óptima inteligibilidad
Caballero Marcos, Isabel Amaya; Roset Calzada, Jaime; Daumal Domènech, Francesc de Paula; Zamora i Mestre, Joan-Lluís
The present study aims to propose basic recommendations to follow in the design of restaurants for them to be acoustically ideal. Complying with recommendations of good hotel practices and fire and acoustic regulation, we reproduced a restaurant in a class room at E.T.S.A.B. We performed the study with real occupation, variable in gender, number and distribution, and for different levels of background noise. We applied objective and subjective methods to measure and assess the intelligibility. Our results are contrasted with those we would obtain through simulation and theoretical study developed in previously validated models.
El estudio se desarrolla con el objetivo de proponer unas recomendaciones básicas a seguir en el diseño de restaurantes para que sean ideales acústicamente. Cumpliendo con las recomendaciones de buenas prácticas de Hostelería y normativas de incendios y Acústica, reproducimos un restaurante en un aula de la E.T.S.A.B. Practicamos el estudio con ocupación real, variable en género, número y disposición, y para diferentes niveles de ruido de fondo. Aplicamos métodos objetivos y subjetivos para la medición y valoración de la inteligibilidad. Los resultados obtenidos se contrastan con los que obtendríamos mediante simulación y estudio teórico desarrollados en modelos validados anteriormente.
2017-10-11T16:08:36ZCaballero Marcos, Isabel AmayaRoset Calzada, JaimeDaumal Domènech, Francesc de PaulaZamora i Mestre, Joan-LluísThe present study aims to propose basic recommendations to follow in the design of restaurants for them to be acoustically ideal. Complying with recommendations of good hotel practices and fire and acoustic regulation, we reproduced a restaurant in a class room at E.T.S.A.B. We performed the study with real occupation, variable in gender, number and distribution, and for different levels of background noise. We applied objective and subjective methods to measure and assess the intelligibility. Our results are contrasted with those we would obtain through simulation and theoretical study developed in previously validated models.
El estudio se desarrolla con el objetivo de proponer unas recomendaciones básicas a seguir en el diseño de restaurantes para que sean ideales acústicamente. Cumpliendo con las recomendaciones de buenas prácticas de Hostelería y normativas de incendios y Acústica, reproducimos un restaurante en un aula de la E.T.S.A.B. Practicamos el estudio con ocupación real, variable en género, número y disposición, y para diferentes niveles de ruido de fondo. Aplicamos métodos objetivos y subjetivos para la medición y valoración de la inteligibilidad. Los resultados obtenidos se contrastan con los que obtendríamos mediante simulación y estudio teórico desarrollados en modelos validados anteriormente.Master Snorer
http://hdl.handle.net/2117/103990
Master Snorer
Daumal Domènech, Francesc de Paula; Luceño Ramos, María Luisa; Piguillem Poch, Núria
Master Snorer is a fictional character corresponding to a nickname for the starring of a series of short stories published in Spanish Sociedad Española de Acústica under the name of Maestro Roncador in 2014. Master Snorer is a lecturer who educates Architecture students in the art of hear-ing in detail their environments, what improves, at a great extent, their professional abilities. Master Snorer´s life is explained through a series of stories corresponding to different moments in his life, and it is offered a sample from those stories as an application of ear-training in University studies in Architecture and Engineering.
2017-05-03T14:59:03ZDaumal Domènech, Francesc de PaulaLuceño Ramos, María LuisaPiguillem Poch, NúriaMaster Snorer is a fictional character corresponding to a nickname for the starring of a series of short stories published in Spanish Sociedad Española de Acústica under the name of Maestro Roncador in 2014. Master Snorer is a lecturer who educates Architecture students in the art of hear-ing in detail their environments, what improves, at a great extent, their professional abilities. Master Snorer´s life is explained through a series of stories corresponding to different moments in his life, and it is offered a sample from those stories as an application of ear-training in University studies in Architecture and Engineering.Modern Sacred Heritage in Barcelona. Balances and future challenges.
http://hdl.handle.net/2117/90791
Modern Sacred Heritage in Barcelona. Balances and future challenges.
Arboix Alió, Alba; Jover Fontanals, Cristina
Subsequent to Cerdà’s well-known expansion plan for Barcelona, the most important urban growth explosion of the city takes place in the mid-twentieth century. Contrary to what many people could imagine, more than 70% of Barcelona’s current parish churches were built in the last century. Moreover, most of them were constructed between the 1920’s and the early 1970’s, coinciding with the Modern Movement, and the latter were erected in total accordance to the post-conciliar concepts.
Based on a research that aimed to study the impact of parish churches on the urban growth of Barcelona, this paper addresses how twentieth century churches became focal points of new neighbourhoods and how this vast ecclesiastical heritage, which nowadays has a lower intensity of use, can be adaptively re-used in order to stretch its lifespan. In other words, this paper is about the balances and future challenges for Barcelona’s modern sacred heritage.
The typo-morphological methodology used to approach the subject is organized on three scales of analysis: ‘city’, ‘urban space’ and ‘building’. It is demonstrated that parish churches have a great impact on all of them. Focusing on the third one, which refers to the ecclesiastical typology, one can conclude that Barcelona has a wide range of valuable modern churches. Concerning Barcelona, the chosen case studies of re-used religious buildings will show how new uses are able to transform their spaces in a very respectful manner maintaining at the same time their structural essence. Modifying a building just by changing the activity it hosts is one of the simplest, most effective and enthusiastic challenges an architect can accept. Linking re-use strategies with post-conciliar churches, which were often conceived to accommodate other functions apart from religious services, can give us some useful guidelines for the future of this built heritage.
Overall, these post-conciliar churches can be re-assigned so that they can be once again the focus of the neighbourhood. Because the matter of question is not only about re-using, giving a new purpose or restoring the building itself, but also about taking into account its contiguous urban space.
2016-10-14T15:33:11ZArboix Alió, AlbaJover Fontanals, CristinaSubsequent to Cerdà’s well-known expansion plan for Barcelona, the most important urban growth explosion of the city takes place in the mid-twentieth century. Contrary to what many people could imagine, more than 70% of Barcelona’s current parish churches were built in the last century. Moreover, most of them were constructed between the 1920’s and the early 1970’s, coinciding with the Modern Movement, and the latter were erected in total accordance to the post-conciliar concepts.
Based on a research that aimed to study the impact of parish churches on the urban growth of Barcelona, this paper addresses how twentieth century churches became focal points of new neighbourhoods and how this vast ecclesiastical heritage, which nowadays has a lower intensity of use, can be adaptively re-used in order to stretch its lifespan. In other words, this paper is about the balances and future challenges for Barcelona’s modern sacred heritage.
The typo-morphological methodology used to approach the subject is organized on three scales of analysis: ‘city’, ‘urban space’ and ‘building’. It is demonstrated that parish churches have a great impact on all of them. Focusing on the third one, which refers to the ecclesiastical typology, one can conclude that Barcelona has a wide range of valuable modern churches. Concerning Barcelona, the chosen case studies of re-used religious buildings will show how new uses are able to transform their spaces in a very respectful manner maintaining at the same time their structural essence. Modifying a building just by changing the activity it hosts is one of the simplest, most effective and enthusiastic challenges an architect can accept. Linking re-use strategies with post-conciliar churches, which were often conceived to accommodate other functions apart from religious services, can give us some useful guidelines for the future of this built heritage.
Overall, these post-conciliar churches can be re-assigned so that they can be once again the focus of the neighbourhood. Because the matter of question is not only about re-using, giving a new purpose or restoring the building itself, but also about taking into account its contiguous urban space.Paisajes sonoros de Barcelona: itinerarios realizados para "Arquitectura acústica" en 2016
http://hdl.handle.net/2117/88391
Paisajes sonoros de Barcelona: itinerarios realizados para "Arquitectura acústica" en 2016
Daumal Domènech, Francesc de Paula; Piguillem Poch, Núria; Díaz Blanco, Celia
Cuando hablamos del Paisaje sonoro de una ciudad, hemos definido el itinerario acústico como una de las herramientas de análisis más expresivas del contenido histórico, cultural y perceptivo. Por ello, en esta comunicación, se muestran los trabajos realizados por 9 grupos de alumnos de la asignatura optativa e intensiva “Arquitectura Acústica”, impartida por este autor durante la última semana de enero del 2016, en concordancia con los estudios anteriormente realizados para el Area de Medi Ambient de l’Ajuntament de Barcelona.
2016-06-29T15:24:17ZDaumal Domènech, Francesc de PaulaPiguillem Poch, NúriaDíaz Blanco, CeliaCuando hablamos del Paisaje sonoro de una ciudad, hemos definido el itinerario acústico como una de las herramientas de análisis más expresivas del contenido histórico, cultural y perceptivo. Por ello, en esta comunicación, se muestran los trabajos realizados por 9 grupos de alumnos de la asignatura optativa e intensiva “Arquitectura Acústica”, impartida por este autor durante la última semana de enero del 2016, en concordancia con los estudios anteriormente realizados para el Area de Medi Ambient de l’Ajuntament de Barcelona.