06, Octubre 2012
http://hdl.handle.net/2099/13055
La sonrisa de Cheshire2024-03-19T04:33:27ZLa sonrisa de Cheshire: hay gato sin sonrisa pero no sonrisa sin gato
http://hdl.handle.net/2099/14015
La sonrisa de Cheshire: hay gato sin sonrisa pero no sonrisa sin gato
2013-11-04T18:13:19ZAprender es dibujarse en el mundo
http://hdl.handle.net/2099/13264
Aprender es dibujarse en el mundo
Moreno Mansilla, Luis
2013-05-02T14:30:38ZMoreno Mansilla, LuisContra la indiferència: catalitzadors de la urbanitat
http://hdl.handle.net/2099/13263
Contra la indiferència: catalitzadors de la urbanitat
Bailo Esteve, Manuel
2013-05-02T14:26:01ZBailo Esteve, ManuelReforma i rehabilitació del Museu Frederic Marès
http://hdl.handle.net/2099/13262
Reforma i rehabilitació del Museu Frederic Marès
Vives Sanfeliu, Santiago
2013-05-02T14:15:41ZVives Sanfeliu, SantiagoIdea / Processo / Architettura
http://hdl.handle.net/2099/13261
Idea / Processo / Architettura
Marzaro, Mattia
2013-05-02T14:08:36ZMarzaro, MattiaHormigón Ligero
http://hdl.handle.net/2099/13260
Hormigón Ligero
Álvarez, Gorka
2013-05-02T13:49:58ZÁlvarez, GorkaPlays
http://hdl.handle.net/2099/13259
Plays
Arnuncio, Juan Carlos
2013-05-02T13:36:32ZArnuncio, Juan CarlosLa inversión del paradigma poché: el desarrollo poché en el sistema Dom-Inó de Le Corbusier
http://hdl.handle.net/2099/13258
La inversión del paradigma poché: el desarrollo poché en el sistema Dom-Inó de Le Corbusier
Such Sanmartín, Roger
Taking as starting point the essay of British architect and critic Alan Colquhoun, "Displacement and Concepts in Le Corbusier", this article explores the formal investigation carried out by Le Corbusier about the Free Plan of the Modernity. Le Corbusier incorporated in his Dom-ino System certain formal principles from the baroque traditions of Antiquity. Thus, in his houses of the twenties he came up with double sided spaces (concave/convex) and the Poché planning of the Baux-Arts, which apparently contradicted the precepts of Free Plan D. By this way, Le Corbusier reactivated an ancient tradition with a new vibrant meaning. This attitude of mix, blend and integration of opposite concepts turns up in a new dialectic synthesis, showing us a way to understand research around the project of architecture.
2013-05-02T13:25:35ZSuch Sanmartín, RogerTaking as starting point the essay of British architect and critic Alan Colquhoun, "Displacement and Concepts in Le Corbusier", this article explores the formal investigation carried out by Le Corbusier about the Free Plan of the Modernity. Le Corbusier incorporated in his Dom-ino System certain formal principles from the baroque traditions of Antiquity. Thus, in his houses of the twenties he came up with double sided spaces (concave/convex) and the Poché planning of the Baux-Arts, which apparently contradicted the precepts of Free Plan D. By this way, Le Corbusier reactivated an ancient tradition with a new vibrant meaning. This attitude of mix, blend and integration of opposite concepts turns up in a new dialectic synthesis, showing us a way to understand research around the project of architecture.Moving targets: researching the real
http://hdl.handle.net/2099/13257
Moving targets: researching the real
Till, Jeremy
Resumen de la ponencia realizada con motivo del Primer Congreso AURS 2012. Traducción de Samantha Galloway Cuadrat
2013-05-02T13:11:33ZTill, JeremyResumen de la ponencia realizada con motivo del Primer Congreso AURS 2012. Traducción de Samantha Galloway CuadratEntrevista a Anne Lacaton
http://hdl.handle.net/2099/13256
Entrevista a Anne Lacaton
Lacaton, Anne
Entrevista realizada por el equipo de redacción (AP)
2013-04-30T17:50:31ZLacaton, Anne